Neither mode is quite right as a general, literary introduction.1 I have concentrated in this study on those of Bakhtin’s terms which are of most interest to such students, and other readers - these are heteroglossia, dialogism, polyphony, carnival and the grotesque,īakhtin’s attitude to poetry, epic, and drama. The works available on Bakhtin tend to fall into two camps: high-level texts which presuppose a knowledge of Bakhtinian terminology and familiarity with his writings and critical collections of his works, which juxtapose short introductory sections with edited selections from the writings of the Bakhtin circle. The scope of this work This book was inspired by the perception that there was no basic introductory guide to Bakhtin’s works and theories which could be recommended to students: that is, humanities students who prob¬ ably know no Russian, although they are familiar with literary criticism and theory. TPA Toward a Philosophy of the Act TRDB ‘Toward a Reworking of the Staff, in SG Speech Genres and Other Late Essays Rabelais and His World ‘Response to a Question from the Novy Mir Editorial ‘The Problem of the Text in Linguistics, Philology and the Human Sciences: An Experiment in Philosophical Analysis’, in SG Problems of Dostoevsky’s Poetics ‘From the Prehistory of Novelistic Discourse’, in DI ‘Forms of Time and Chronotope in the Novel’, in DI Introduction to Sociological Poetics FPND ‘From the Prehistory of Novelistic Discourse’, in DI FTC 'Author and Hero in Aesthetic Activity' in AA 'The Bildungsroman and Its Significance in the History of Realismįreudianism: A Critical Sketch The Formal Method in Literary Scholarship: A Critical All phrasing, italics, and so on are Bakhtin’s own except where signalled other¬ wise (ellipses of the kindĪrt and Answerability: Early Philosophical Essays by M. 839, 'The Gay Gene', 24 June 1996.Ībbreviations of titles of the works of the Bakhtin circle appear before page numbers in the text, and in the notes, except where extended discussion makes clear which work is meant. Thanks also to St Andrews University Library, which was invaluable during two summers, and to the Guardian for permission to reproduce Pass Note no. I am grateful to the following for all kinds of help throughout this study:įalconer, Alex George, John Haffenden, Ken Hirschkop, Agnes McAuley, Ian MacKillop, Gemma Marren, Alastair Renfrew, Neil Roberts, Anita Roy, Erica Sheen, Stephanie Sloan, other members of Manchester University Press’s staff, and my family. Typeset by Action Typesetting Ltd, Gloucester Printed in Great Britain by Bell & Bain Ltd, Glasgowġ Heteroglossia: 'I hear voices everywhere Includes bibliographical references and index. Martin’s Press, Inc., 175 Fifth Avenue, New York, NY iooio, USAīritish Library Cataloging-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Vice, Sue, 1961Introducing Bakhtin/Sue Vice p. Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York,ĭistributed exclusively in the USA by St. Westminster College Library Sait Lake City, Utah MANCHESTER UNIVERSITY PRESS MANCHESTER AND NEW YORKĭistributed exclusively in the USA by St.
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